This is an intelligent study of an important topic, one not treated in this manner and deserving of a new investigation. It brings to bear, in particular, various recent critical concepts such as 'text' and 'intertextuality' that provide a new understanding of Gide's use of myth." Catharine Savage Brosman "Genova's study ... is an important contribution to our knowledge of Gide the writer and the man."Pierre L. Horn, Wright State University
Constance Studer uses her family's story to illustrate larger ethical dilemmas in which modem medical professionals find themselves. The history of why prefrontal lobotomies were performed on patients is explored, and why only a few physicians raised dissenting voices to this mutilating surgery. Both the author and her father were injured by medical treatments that were intended to help. Her father's lobotomy caused irreversible brain damage. Connie's vaccine-related illness caused systemic lupus. She cites an article by Robert F. Kennedy, Jr. that investigates our government cover-up of a mercury/autism scandal. Thimerosal, the ethylmercury preservative used in vaccine preparation, appears to be responsible for the epidemic of autism and other neurological disorders among our children. In 2007, one child out of 150 suffers from autism or other neurological-cognitive disabilities. This book is a plea to the medical-pharmaceutical-government complex to ban the use of thimerosal in the production of vaccines and to re-evaluate the number of vaccines administered to infants and children.
In her book Fantasies of Gender and the Witch in Feminist Theory and Literature, Justyna Sempruch analyses contemporary representations of the "witch" as a locus for the cultural negotiation of genders. Sempruch revisits some of the most prominent traits in past and current perceptions in feminist scholarship of exclusion and difference. She examines a selection of 20th century US-American, Canadian, and European narratives to reveal the continued political relevance of metaphors sustained in the archetype of the "witch" widely thought to belong to pop-cultural or folkloristic formulations of the past. Through a critical re-reading of the feminist texts engaging with these metaphors, Sempruch develops a new concept of the witch, one that challenges traditional gender-biased theories linking it either to a malevolent "hag" on the margins of culture or to unrestrained "feminine" sexual desire. Sempruch turns, instead, to the causes for radical feminist critique of "feminine" sexuality as a fabrication of logocentric thinking and shows that the problematic conversion of the "hag" into a "superwoman" can be interpreted today as a therapeutic performance translating fixed identity into a site of continuous negotiation of the subject in process. Tracing the development of feminist constructs of the witch from 1970s radical texts to the present, Sempruch explores the early psychoanalytical writings of Cixous, Kristeva, and Irigaray and feminist reformulations of identity by Butler and Braidotti together with fictional texts from different political and cultural contexts.