This work explores the extremely controversial and high profile “Crush Video” case – U.S. v. Stevens (533 F.3d 218 (3d Cir 2008)) in the context of how society attempts to balance two traditionally “liberal” values – the protection of free speech and the protection of animals. In so doing, it posed several significant issues including whether depictions of animal cruelty should constitute unprotected speech and whether the prevention of animal cruelty constitutes a compelling government public policy interest. The resulting debate has raised new and challenging questions related to both concerns.The case involved alleged dogfighter Robert J. Stevens, who was convicted in 2005 for marketing three videos that showed genuine animal fighting. He became the first person convicted under 18 U.S.C. § 48 (“Section 48”)—a federal law enacted in 1999, which criminalized the creation, sale, or possession of certain depictions of animal cruelty. Congress intended Section 48 to end the creation and trafficking of depictions of animal cruelty in which innocent animals were brutally slaughtered for entertainment’s sake. Proponents of Section 48 predicted that countless benefits to both humans and animals would flow from its enforcement. Opponents of the law argued that it unnecessarily restricted activities related to depictions of animal injury or death related to legal practices (e.g. hunting, natural history documentation, dramatic depictions or historical and cultural events such as bullfighting.) The fact that the original law was created to target a specific sexual fetish – the creation of “crush videos” also brought the taboo subject of animals and sexuality into the arena of public policy limelight.
The landscapes of violence have become too familiar, too close to home. Despite decades of scientific research, we are only beginning to understand the roots of violence that connect child maltreatment, spouse and partner abuse, and aggression in our neighborhoods and communities. Cruelty to animals is often part of these landscapes of violence-at times, a strong link to destructive interpersonal relationships. Research on this link has recently received increased attention. However, the layperson, student, and professional interested in this link often face the daunting task of locating the critical references in this area of inquiry. Cruelty to Animals and Interpersonal Violence presents in one volume historical, philosophical, and research sources that explore the maltreatment of animals and the ways people hurt each other. Diverse disciplines are represented among the readings, including psychology and psychiatry, criminology, social work, veterinary science, and anthropology. A bibliography of related books and articles is provided for readers who wish to pursue this topic in greater detail.
As reviewers of research on school desegregation have pointed out, it is important to learn more about the conditions under which interracial contact in schools has positive, rather than negative, effects on students. This book presents the results of a major study, which investigates this issue. Based on research in all the public high schools of Indianapolis, it is probably the most in-depth investigation of interracial contact in schools, which has ever been conducted. After describing the behaviors and attitudes of black students and of white students toward schoolmates of the other race, the author explores the conditions under which friendly, rather than unfriendly, attitudes and behavior occur. He also explores the effects of interracial contact on academic outcomes for students of both races, focusing especially on the conditions under which such contact has the most positive effects on effort and performance. Results are presented in the context of previous theory and research, and policy implications of the findings are suggested. The book will interest both academics and those non-academics concerned with schools and with race relations, including sociologists, social psychologists, educators, government officials, and members of the community concerned with educational and/or race relations issues in general and with the issues of racial integration in the schools in particular.
The scholarship in the volume Comparative Cultural Studies and Latin America represents the proposition that, given its vitality and excellence, Latin American literature deserves a more prominent place in comparative literature publications, curricula, and disciplinary discussions. The editors of the volume argue that there still exists, in some quarters, a lingering bias against literature written in Spanish and Portuguese and that by embracing Latin American literature more enthusiastically, comparative literature in the context of comparative cultural studies would find itself reinvigorated, placed into productive discourse with a host of issues, languages, literatures, and cultures that have too long been paid scant attention in its purview. Following an introduction by the editors, the volume contains papers by Gene H. Bell-Villada on the question of canon, by Gordon Brotherston and Lúcia de Sá on the First Peoples of the Americas and their literature, by Elizabeth Coonrod Martínez on the Latin American novel of the 1920s, by Román de la Campa on Latin American Studies, by Earl E. Fitz on Spanish American and Brazilian literature, by Roberto González Echevarría on Latin American and comparative literature, by Sophia A. McClennen on comparative literature and Latin American Studies, by Alberto Moreiras on Borges, by Julio Ortega on the critical debate about Latin American cultural studies, by Christina Marie Tourino on Cuban Americas in New York City, by Mario J. Valdés on the comparative history of literary cultures in Latin America, and by Lois Parkinson Zamora on comparative literature and globalization. The volume also contains a bibliography of scholarship in comparative Latin American culture and literature and biographical abstracts of the contributors to the volume.
The papers in this volume represent recent scholarship about Booker Prize Winner Michael Ondaatje's oeuvre by scholars working on English-Canadian literature and culture in Canada, England, Japan, New Zealand, and the USA. Papers in the volume are Victoria Cook, "Exploring Transnational Identities in Ondaatje's Anil's Ghost"; Beverley Curran, "Ondaatje's The English Patient and Altered States of Narrative"; Marlene Goldman, "Representations of Buddhism in Ondaatje's Anil's Ghost," Stephanie M. Hilger, "Ondaatje's The English Patient and Rewriting History"; Hsuan Hsu, "Post-Nationalism and the Cinematic Apparatus in Minghella's Adaptation of Ondaatje's The English Patient"; Glen Lowry, "The Representation of 'Race' in Ondaatje's In the Skin of a Lion"; Jon Saklofske, "The Motif of the Collector and Implications of Historical Appropriation in Ondaatje's Novels"; Sandeep Sanghera, "Touching the Language of Citizenship in Ondaatje's Anil's Ghost"; Eluned Summers-Bremner, "Reading Ondaatje's Poetry"; Winfried Siemerling, "Oral History and the Writing of the Other in Ondaatje's In the Skin of a Lion"; Steven Tötösy de Zepetnek, "Ondaatje's The English Patient and Questions of History"; Steven Tötösy de Zepetnek, "Selected Bibliography of Critical Work about Michael Ondaatje's Texts" and "A List of Michael Ondaatje's Works"; Bioprofiles of Contributors and Index.
Articles in this volume focus on theories and histories of comparative literature and the emerging field of comparative cultural studies. Contributors are Kwaku Asante-Darko on African postcolonial literature, Hendrik Birus on Goethe's concept of world literature, Amiya Dev on comparative literature in India, Marián Gálik on interliterariness, Ernst Grabovszki on globalization, new media, and world literature, Jan Walsh Hokenson on the culture of the context, Marko Juvan on literariness, Karl S.Y. Kao on metaphor, Kristof Jacek Kozak on comparative literature in Slovenia, Manuela Mourão on comparative literature in the USA, Jola Skulj on cultural identity, Slobodan Sucur on period styles and theory, Peter Swirski on popular and highbrow literature, Antony Tatlow on textual anthropology, William H. Thornton on East/West power politics in cultural studies, Steven Tötösy de Zepetnek on comparative cultural studies, and Xiaoyi Zhou and Q.S. Tong on comparative literature in China. The articles are followed by a bibliography of scholarship in comparative literature and cultural studies, compiled by Steven Tötösy de Zepetnek, Steven Aoun, and Wendy C. Nielsen.
Community Theory is a hot topic. However, most people think about community in terms that are far too simplistic, thus failing to understand the complex interrelationships between individuals and communities. Each individual has many communities influencing the individual simultaneously. Indeed, individuals are as much a product of their collective communities as the communities are a product of their collective memberships. The concept of belonging to several communities is not a new idea. However, researchers and practitioners have paid little attention to the impacts of simultaneous membership in diverse communities. This book will examine some important questions about community, including the following: What is a community? How can community be defined? How does membership in several communities affect our personalities and behaviors? How important is community to the individual?
This study is about the aporia between cosmopolitanism as a sign of justice and cosmopolitanism as the consumption and display of international luxury items and cultural production. Turn-of-the-century Pan-American cosmopolitanism described international aesthetic culture and fashion drawn from major world cities, but it was also implicitly political, it held a promise of justice in the acceptance and coexistence of difference. Although unrepentantly elitist, the cosmo-modernists transcended the genetic link between nationalisms and heteronormative versions of family often by turning to the classical model of a male homosocial. Fojas engages the work of Guatemalan Enrique Gómez Carrillo, the travel writings from the Chicago World's Fair of Cuban Aurelia Castillo de González, the Venezuelan journal Cosmópolis, and Rodó's infamous Ariel, all of which share a common principle of the practical application of cosmopolitanism. They revisit the failures of Eurocentric cosmopolitanism by rewriting them, recasting them for a new audience, and generally making use of them for their own purposes. But, above all, they grapple with cosmopolitanism, sometimes conceptualizing new models of hospitality and sometimes failing, nonetheless keeping the broken promise of utopic spaces and their imagined cities. These texts activate a cosmopolitan attitude by persuading the reader to be more open, more modern, and more amenable to difference.
This book examines contemporary French society's relationship with violence in an era of increased media dominance. The study's innovative and interdisciplinary approach integrates media, cinema, and literary studies to analyze how crime news (faits divers) function as a site of discursive struggle. Reisinger focuses on the sensational Paulin and Succo affairs that became mobile signifiers about crime, insecurity, and the Other in France in the 1980s. By situating these crime stories in a larger historical and political context, she analyzes how media and politicians use the crime story as a tool for upholding dominant ideology. Yet, rather than conclude that the crime story has become an absolute banality, as Jean Baudrillard has maintained, Reisinger shows how these crime stories attest to the public's renewed fascination with violence. Her analysis of the artistic rewritings of these stories reveal alternative, complex readings of the fait divers that subvert the media's sensationalized discourse on crime effectively. Through an analysis of the complex processes of production, reception, and re-articulation that contribute to the representation of crime in media and on the stage, the study concludes that the fait divers is an important location of social and political resistance for readers and artists alike in contemporary France.
Cultural Shaping of Violence proposes that violence cannot be described, let alone understond or addressed, unless tied to the cultural settings that influence it. The book's 27 chapters, researched and written by 28 scholars of seven nationalities, document violence in 22 distinct cultural settings in 17 nation-states on five continents. Internal to each society, a number of sites of violence may thrive, from the domestic sphere to social institutions and political arenas. In whatever site or guise, violence reverberates throughout the social fabric and beyond.
The history of exile literature is as old as the history of writing itself. Despite this vast and varied literary tradition, criticism of exile writing has tended to analyze these works according to a binary logic, where exile either produces creative freedom or it traps the writer in restrictive nostalgia. The Dialectics of Exile: Nation, Time, Language and Space in Hispanic Literatures offers a theory of exile writing that accounts for the persistence of these dual impulses and for the ways that they often co exist within the same literary works. Focusing on writers working in the latter part of the 20th century who were exiled during a historical moment of increasing globalization, transnational economics and the theoretical shifts of postmodernism, Sophia A. McClennen proposes that exile literature is best understood as a series of dialectic tensions about cultural identity. Through comparative analysis of Juan Goytisolo (Spain), Ariel Dorfman (Chile) and Cristina Peri Rossi (Uruguay), this book explores how these writers represent exile identity. Each chapter addresses dilemmas central to debates over cultural identity such as nationalism versus globalization, time as historical or cyclical, language as representationally accurate or disconnected from reality, and social space as utopic or dystopic. McClennen demonstrates how the complex writing of these three authors functions as an alternative discourse of cultural identity that not only challenges official versions imposed by authoritarian regimes, but also tests the limits of much cultural criticism.
This collection contains twenty-seven new essays on American paranoia drawn from a range of disciplines, including American studies, film studies, history, literature, religious studies, and sociology. It's arranged by topic and largely in chronological order, explore manifestations of fear throughout the history of the United States. Approaching the topic from a variety of perspectives and methodologies, contributors to the collection explore theoretical constructions of fear, religious intolerance in early American culture, racial discrimination, literary expressions of paranoia, and Cold War anxieties, as well as phobias of the modern age and about the future. Together, these essays cover topics from nearly every period of U.S. history, offering a remarkable picture of the "nameless, unreasoning, unjustified terror" that Roosevelt discerned as such a paralyzing threat on the eve of the Second World War, and which continues to haunt American culture even as we shape our perceptions of the future.
The Gendered Lyric argues that gender difference contributes to the definition of aesthetic values and, indeed, shaped the representation of masculine and feminine subjectivity in nineteenth-century French poetry. Gretchen Schultz analyzes works by the leaders of the Romantic, Parnassian, and Symbolist schools to show that their implicit conceptions of gender were central to the formulation of their aesthetics. Prominent Romantic poets (Hugo, Lamartine, Musset) appropriated feminine cultural attributes to construct an empathetic male poet, while the Parnassians of the following generation, including Leconte de Lisle and Gautier, repudiated Romanticism for a more "muscular" and masculinist poetic practice.Women poets writing in the shadows of these great men devised varying strategies, ranging from assimilation to satire, to gain access to poetic subjectivity. Schultz devotes chapters to the Romantic Desbordes-Valmore, as well as several lesser-known Parnassian women, and through close readings explores their accommodations of, and revolts against, the dominant movements. Schultz's appendix of works by women poets provides the reader with a valuable source of heretofore unavailable texts. Symbolists readmitted femininity with a broader, more fluid definition of lyric subjectivity. Even the notoriously misogynist Bauldelaire contributed to the representation of otherness. And in different ways, Verlaine's gay male poetry and Marie Krysinska's innovative free verse battled poetic conventions to fulfill the promises of Symbolism's open poetic stance. The Gendered Lyric is recommended for scholars and students of nineteenth-century French studies, poetry and poetics, and gender studies.
With the appearance of Homer's study, it is no longer possible to base any serious work about organized crime on the superficial debate over whether or not this set of activities is dominated by one or more particular ethnic groups," writes political scientist Michael A. Weinstein in his introduction. "Homer removes the study of organized crime from the realm of sensationalism and ethnic chauvinism, and places it in the context of contemporary American social structure. He reviews prevalent myths and hypotheses about organized crime and critically analyzes them in the framework of contemporary organization theory. In this context, organized crime is analyzed in its economic, political, ethnic, and social class dimensions
In Healing the Heart: Healing the Hood, Olgen Williams traces his dramatic journey from embittered, drug-using Vietnam veteran to nationally acclaimed neighborhood activist. His sudden, miraculous re-orientation from drugs and despair to faith and freedom will inspire all those concerned with the social and personal costs and consequences of illegal drugs and drug-related crime. In, December 2002, for his crime of having stolen less than eleven dollars while serving as a postal worker in 1971, Olgen Williams received one of seven pardons granted by President George W. Bush. Healing the Heart is not only the story of an extraordinary life-in-progress but also a working handbook of tools and techniques for neighborhood activism and transformation.
This wide-ranging and interdisciplinary study draws on sociology, anthropology, history, and literary theory to examine the practice and the literary re-presentation of hospitality. Palmer offers an original synthesis of dramatic texts from early modern England that gives place to Shakespeare and his contemporaries. The literary texts Palmer uses cover a diverse field, from Shakespearean drama to royal progresses, from court entertainment to pamphlet literature. The genre of pageantry, a more ubiquitous form of entertainment than the more-studied public theater, takes over the heart of the study. Through these various genres, Palmer investigates the notion of mediation, the relationship between aesthetic objects and the culture that produced them.
Dewey focuses on seven novels that touch the variety of generic experiments and postures of the post-World War 11 American novel. These novels by Vonnegut, Coover, Percy, Pynchon, Gaddis, and DeLillo represent a significant argument concerning the American literary response to living within the oppressive technologies of the Nuclear Age. Departing from other studies that veer toward speculative fiction or toward the more narrowly defined religious angles, In a Dark Time defines the apocalyptic temper as a most traditional literary genre that articulates the anxieties of a community in crisis, a way for that community to respond to the perception of a history gone critical by turning squarely to that history and to find, in that gesture, the way toward a genuine hope.
Any examination of contemporary society must recognize a central place for information and communication processes and for the technologies and institutions on which they rely, particularly for public communication. The essays in this volume juxtapose two central concepts of recent social and political thought -- civil society and information society - and relate them to the complex nature of contemporary public communication.A number of authors, including several contributors to this collection, argue that on the eve of the twenty-first century, civil society is beginning to disintegrate everywhere. In this volume, fifteen scholars from ten different countries address that argument by problematizing the relation between the older concept, civil society, and the newer one, information society, and offering perspectives on future directions.
Inside Animal Hoarding profiles one of the largest and most intriguing cases of animal hoarding in recent history. Celeste Killeen's investigation pries open the door to Barbara Erickson's hidden and closely guarded life, offering an in-depth view of animal hoarding. The chaos and torment discovered by local officials who'd responded to a ramshackle farmhouse in eastern Oregon was described as otherworldly, unbelievable. But, it was only the sad ending to a lifelong story of betrayal, abuse and abandonment. This in-depth look at how animal hoarding developed in one woman's life offers the rich detail and context so important in understanding how to recognize and respond to it and maybe even prevent it. Dr. Arnold Arluke's discussion follows the Erickson story with current research on animal hoarding and how it ties into the Erickson case. Drawing from his background in sociology and extensive study of the human/animal relationship, Arluke offers further insight about animal hoarders, how they see themselves, how society deals with them, and why people find them so perplexing. This integration of investigative journalism and scholarship offers a fresh approach with appeal to a broad audience of readers, those new to learning about the phenomenon, and those with first-hand experience in the animal welfare field.
Georg Groddeck (1866-1934), who was trained as a physician but became famous for his success as a healer, introduced a radical concept in that we virtually always cause our own illness and injury; therefore, we can cure and avoid both. He utilized the technique of psychoanalysis to communicate with the source of the illness. In The Interpretation of Illness, Homer goes beyond Groddeck's initial insight to emphasize that illness is a communication to others, especially a call for sympathy. No one consciously likes to be sick or hurt; but we all, consciously or unconsciously, tell others about our ills, expecting them to extend sympathy. Interpretation is a series of letters from Homer, writing under the persona "Augie," to a friend. Appropriately enough, this style is similar to the format used by Groddeck in The Book of the It.
This book constitutes a first look at the little-known phenomenon of the Italian/American short film. What becomes apparent is the conspicuous interest these members of the newer generation of Italian/American filmmakers exhibit vis-a-vis their ethnicity, be such films a fiction, a documentary, or a music video. Equally significant is the lens through which they see their Italian/American heritage. While the older generations concentrated more on the by now well-known thematics of immigration and organized crime, as well as the debunking thereof, these younger artists/performers of short films have added to the general theme of heritage, at various degrees, that of race, gender, and sexuality. Anthony Julian Tamburri is a professor of Italian at Florida Atlantic University, where he is also chair of the Department of Languages and Linguistics. He is the author of seven other books, including A Semiotic of Ethnicity: In (Re)cognition of the Italian/American Writer and To Hyphenate or Not to Hypenate: The Italian/American Writer: Or, An Other American? and is editor or co-editor of twelve collections, including the best-selling anthology From the Margin (1991/2000) and Screening Ethnicity (2002). He is a co-founding editor of Voices in Italian Americana: A Literary and Cultural Review.
Lincoln's Censor examines the effect of government suppression on the Democratic press in Indiana during the spring of 1863. Indiana's Democratic newspaper editors were subject to Milo S. Hascall's General Order Number Nine, which proclaimed that all newspaper editors and public speakers that encouraged resistance to the draft or any other war measure would be treated as traitors. Brigadier General Hascall, commander of the District of Indiana, was amplifying General Order Number Thirty-eight of Major General Ambrose Everts Burnside, the commander of the Department of the Ohio. Burnside's order declared that criticism of the president and the war effort was tantamount to "declaring sympathies with the enemy." Eleven Democratic newspapers in Indiana faced suspension.
There is no question that the Passion is the most controversial Jesus-if not religious-movieever made. The articles...are an attempt by academics to explain why. Five essays were presentedin an earlier version at the Jewish Studies Symposium on key issues raised by The Passion of the Christ held at Purdue University on March 30, 2004 (Garber, Mork, Pawlikowski, Robertson, Young); and 15 essays (Bartchy, Edelheit, Edelman, Feldman, Golan, Greenberg, Haas, Holdredge, Jacobs, Libowitz, Moore, Neusner, Wheeler, Zuckerman) complement the Purdue Symposium. The contributors reflect on a plethora of issues, and they show that concerned andinformed Jews and Christians together can assess dis/misinformation, monitor dissent, alleviate community fears, and reassure that the solid rock of Jewish-Catholic-Protestant dialogue, though assailed, has not become chipped. The passion over the "Passion" has proven to be a blessing, not a curse. Indeed, seize the teaching moment and develop the agenda. The respect of two ancient faith-communities demands and deserves this.